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“We’re so glad you’re here.”

Located in Worcester County, MassachusettsFrom Worcester County, MA

Halftone Visions

Rules, accidents, scissors, tape

Black-and-white collage of flowers, a face fragment, and small photographic scenes with torn white paper edges.

Cut paper, crooked edges

Let the pieces misbehave

I originally became fascinated with design through dabbling with digital collage over 15 years ago. Looking back at my more competent, recent design work (which possesses a decidedly cleaner aesthetic) I realized I really missed the raw collision of form that collage provided.Halftone Visions is an ongoing series that gets me back to my roots, and lets me get my hands dirty. Things are coming ’round full circle, so to speak.

Black-and-white flower photograph cut into offset rectangular strips and tiles.

Control meets the scissors

Rules make better interruptions

My first collages—years ago—were sourced from historical found imagery, merged with Photoshop’s sorcery. All the images for this series are taken from my own photographs, then physically printed, cut, hand assembled, then scanned back into bits. Above all, there’s nothing precious about the materials. iPhone photographs. Generic copy paper. Household laser printer. Double-sided tape. That’s it.The first six compositions that came to life are below, taking form as nested circles. Simple geometries and patterns, using Fibonacci sequences as a creative restraint which possesses nice contrasts in size…not because they’re some design alchemy. The goal is to be iterative and quick—not to think too much. Embrace the whim.

Black-and-white collage of leaf shadows on horizontal siding, with dark rectangular panels and white circular cutouts.




Simple geometries and patterns, using Fibonacci sequences as a creative restraint which possesses nice contrasts in size…not because they’re some design alchemy. The goal is to be iterative and quick—not to think too much. Embrace the whim.



Small black-and-white lake and tree-line photograph split into offset rectangular sections on black.



A monochrome photographic strip with a pointed form amid soft lights and halftone dots.
Black-and-white reflected tree-line photograph cut into four offset rectangular sections.




Wide black-and-white strip collage combining torn flower edges, curved photographic fragments and tree textures.